Aristide Torchia, The Devil’s Apprentice

Aristide Torchia, The Devil’s Apprentice: A Journey Through Shadows and Light…

Authored by Fabio Mirabella and Karl Constantine via Aristide Torchia, The Devil’s Apprentice

In the realm of literature, few figures have captivated the imagination as profoundly as Aristide Torchia, the enigmatic author of the legendary text De Umbrarum Regni Novem Portis (The Nine Gates of the Kingdom of Shadows).

This biography, inspired by the works of Arturo Pérez-Reverte, delves into the life of Torchia, a man said to have collaborated with none other than Satan himself.

Set against the contrasting backdrops of the Middle Ages and the Renaissance, this narrative offers a profound exploration of cosmogonic myths that intertwine Eastern and Western philosophies.

Torchia’s journey begins in 17th-century Venice, a city still reeling from the Black Death. Born on the island of Giudecca, he navigates through diverse cultures, encountering themes of technological advancement and moral progress.

These elements challenge the dogmas that often suppress human individuality and free will, setting the stage for a life of intrigue and mystery.
At the heart of Torchia’s story is The Nine Gates of the Kingdom of Shadows, a text rumored to contain instructions for summoning the Devil.

This book, said to be co-authored by the Devil himself, has become a focal point of occult and esoteric studies. The narrative weaves through the creation and legacy of this text, exploring its impact on those who seek to unlock its secrets.

Fabio Mirabella:

“Perhaps there truly exists a time for everything and every moment is the right one. Since the release of Polanski’s film, interest in ancient, occult, and rare texts has grown significantly. In my quest to collect every book mentioned in the film, beyond the central book, I also came across some fictional ones and thought, why not? It seemed strange to me that no one had ever considered this before, a true pity but also our good fortune as a publishing house to have made such a significant impact with a cult classic like The Ninth Gate. I don’t hide that I intend to make some further changes. To purchase this masterpiece, I would say it’s better to do so now or wait for the final version, which will be similar to the current one but with two small modifications that I don’t want to reveal just yet. These changes concern the beginning and are nothing serious that could compromise the entire story. The story itself has amazed even me, its creator. From the description of a Dante-esque Venice in the 1600s, to the heart of Europe, and then from there to the East and the Middle East, towards the destiny of an author and his book, a story that will gather tales of other authors, their books, and the fate that befell them. We do not despair of seeing *The Devil’s Apprentice* on the big screen in his adventures, along with his childhood friends, workmates, travel companions, and printing companions… It is a work that certainly highlights cosmopolitanism as a primary good in the interconnections of diverse peoples and places, and mentions many real medieval texts, grimoires, alchemy treatises, and much more, from Scottish witches to the Jinn of the lost city of Irem. But don’t make me tell you more.”

Karl Constantine:

“As a co-author and executive producer, alongside Cristian De Vries and Tom McLeane, I must say that this is an epic story no less epic than the adventure of writing this book itself. Amidst countless difficulties and chaos, we managed to create a gem, akin to a laborious magic that is harder to achieve than to describe. However, we could have spent at least another month and a half refining the details, but the fear of someone else appropriating our work prompted us to move swiftly. After all, nearly twenty-six years have passed, giving us a significant advantage. Today, we have surpassed all those others.”

Cosmopolitanism and Cultural Exchange

Torchia’s world is characterized by vibrant cosmopolitanism, where Eastern and Western philosophies converge. Through meticulous references to ancient medieval texts—grimoires, hermetic treatises, and astrological works from both Arab and European origins—the biography reconstructs Torchia’s era.

This multicultural perspective presents a sophisticated view of history, challenging readers to explore the interconnectedness of diverse cultures.

Beyond the occult and esoteric topics, this biography introduces unexpected themes such as multimedia piracy, offering a nuanced exploration of technological advancement and its implications on society. It aims to resonate with individuals across all religious and political beliefs, creating a literary epic that honors the complexity of history while merging past and present.

Readers are not only immersed in Torchia’s story but also encouraged to explore the many other works referenced throughout this narrative. This book is not just about one man’s journey; it is an invitation to discover a multitude of texts that have shaped our understanding of myth and reality.

Join Aristide Torchia on this adventurous literary quest to become an apprentice to the Devil—an exploration that promises to ignite your imagination and deepen your appreciation for the intricate tapestry of human belief and history.

Aristide Torchia, The Devil’s Apprentice is a captivating biography that transcends mere storytelling. It offers a profound exploration of the human condition, set against the backdrop of one of the most intriguing periods in history. Through its meticulous research and engaging narrative, this book invites readers to embark on a journey that will challenge their perceptions and ignite their imagination.

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Devil’s Apprentice

Born under a shadow, and a cursed design,
A Devil’s apprentice, a soul as a malign.
No cradle of light, no angel’s embrace,
He walks in the dark, leaving no trace.

Hey,
Go away, go away.

He learned the craft of fire and sin,
A master of chaos that burns within.
Promised the secrets of forbidden lore,
Bound to a master I cannot ignore.

Hey,
Go away, go away.
Go away.

I tread on ashes, where flames once grew,
Twisting the world with a crimson hue.
You can’t unchain me; I chose this path,
Throw me in the fire—I’ll only laugh.

Hey,
Go away, go away.
Go away, go away.
Go away, go away.
Go away.